Brian Auger's Oblivion Express – Happiness Heartaches (1977)


 

Artist: Brian Auger's Oblivion Express

Title: Happiness Heartaches

Label: Warner Bros.

Format: LP

Catalog Number: BS 2981

Year of Release: 1977

Country and Year of Edition: US 1977 Jacksonville Pressing

Sell Price: $5.90

Sell Date: 11/12/24

Condition: VG+/VG

Discogs Last Sold: 10/26/24 NM/VG+ $10.00

Low: $1.80 VG/G

Median: $6.30

Average: $6.45

High: $15.96 NM/NM

Current low price: $0.99

Current Number on Sale at Discogs: 73

Have/Want: 1263/131

Where Sold: Martinsburg, WV

Time It Took To Sell:  3 years

Where and When Bought: Facebook $3 lot

Gwiz-gau Letter Grade: B-

Sad To See It Go: No

Brian Auger's last US charting studio record on the Billboard 200 (#127 peak Feb 1977 on a 5 week run) was more of an R&B spiked vocal record for his Warner Brothers debut after having bigger fusion records for RCA.  Percussionist Lenny White played a major role on this album. "God Bless Lenny White for his Assistance and Cooperation in the making of this album" read the back credits.  The guy was drummer on Miles Davis Bitches Brew at 19 years old for chrissakes.  Auger is a little older than Lenny, but matched in generation on keyboards and session work, so this pairing is a meeting of the fusion rock minds.

Initially, when I heard the the album a few years back, I was a little disappointed, thinking it was somewhere on the sub-Steely Dan slick R&B side of things.  Scottish rhythm guitarist Alex Ligertwood had the vocal duties on this record. He went on to bigger commercial success handling vocals for Santana from 1979-1985 and sporadically beyond, singing on hits like "Hold On" and "Winning" from that era.  When you listen to Happiness Heartaches a few times you start to hone in on the keys and drums, as you should.  Or, at least, I did.  When you take a deeper dive for a few listens and focus on the music, you realize this isn't hit machine stuff at all.

I can't say the big instrumental tour de force "Paging Mr. McCoy" that closes the record is all of the sudden the best track on the album.  It is, however, a player for Auger to be featured loud and proud.  For me, the second side opener "Never Gonna Come Down" is what gets the balance right between Auger and voice.

I say go earlier for prime Brian Auger unless what I'm describing perks your ears.






Comments

Popular posts from this blog

Bob Dylan-Blood On The Tracks (1975)

The Byrds-Live At The Fillmore-February 1969 (2000)

Bob Dylan-Bob Dylan (1962)